Fabrice Gygi (b. 1965, Geneva; lives and works in Geneva) was trained in etching at the Centre genevois de gravure contemporaine and then at the École Supérieure des Beaux-Arts of Geneva which led him to begin a major production of engravings and linocuts. From the 90s, gradually evolving from a discourse linked to the intimate sphere to a discourse involving society as a whole, he developed an ensemble of installations and sculptures confronting individuals with their role as citizens, constrained between protection and control. Throughout his career, Fabrice Gygi has sporadically used performance as a perpetual exploration of the limits of his body. Borrowing from a minimalist formal vocabulary, he draws inspiration from urban infrastructures as well as everyday and nomadic objects, which he diverts from their primary functions thus manifesting ambiguity as a source of tension.

Fabrice Gygi, Oscar Tuazon, Kevin Beasley, Seth Price, Christopher Le Brun
SALON PLUS is a collaborative project involving three internationally active contemporary art galleries Galerie Chantal Crousel, Petzel, and Regen Projects. The presentation features works by four artists who have faithfully created their own inimitable artistic worlds: Fabrice Gygi, Oscar Tuazon, Kevin Beasley, and Seth Price.
The space combines contemporary designer furniture with a series of artworks, presenting a condensed history of richly textured salon culture. The six exhibited works include Kevin Beasley’s sculptural planes cast from raw cotton and resin, Oscar Tuazon’s canvas works that trace the movement of water using silkscreen ink and marbling techniques, and Seth Price’s three-dimensional planes combining sculpture, photography, and painting under the title Social Space. These works explore the possibilities of abstraction, minimalism, and the interplay between two-dimensional and three-dimensional forms.
Oscar Tuazon (b. 1975, Seattle; lives and works in Los Angeles) predominantly works with architectural techniques and materials, creating structures and spaces which use building supplies such as steel, glass, and wood and a simple do-it-yourself approach. Tuazon’s sculptures, built by hand, are often quasi-functional objects or models of other spaces. The construction process itself can often be seen as a performative part of the work, as it references the techniques of Land Art and Minimalism in improvised collaborations with designers, engineers, and builders to produce large-scale installations and public projects.
Kevin Beasley (b. 1985, Lynchburg, VA, lives and works in NY) attended the College of Creative Studies in Detroit, where he studied automotive design before graduating with a BFA in painting and sculpture in 2007 and an MFA in sculpture from Yale University, New Haven in 2012. He was recently awarded the 2023 Heinz Family Foundation Heinz Award for the Arts. He will participate in Pansori - a soundscape of the 21st century, the 15th Gwangju Biennale, at the Gwangju Museum of Art, on view from September 7 – December 1, 2024.
Seth Price (b. 1973, born in East Jerusalem) is a New York-based artist working in a wide range of media, including sculpture, painting, photography, video, music, and poetry. His turn to “painting” in recent years hinges upon an unsettling encounter between material and digital modes of production in his practice. As gestural painting and physical drawing combine with 3D computer graphics in a single object, there is the bodily, materially embedded, vitalist time of traditional painting, and then there’s the algorithmic no-time of digital effects programs, where hand-made marks are automatically reorganized in virtual light.
Christopher Le Brun (b. 1951, born in Portsmouth, lives and works in London) is one of the leading British painters of his generation, celebrated internationally since the 1980s, making both figurative and abstract work in media including painting, sculpture, watercolour and print. He was also an instrumental public figure in his role as President of the Royal Academy of Arts in London from 2011 to 2019. Le Brun employs a mastery of touch and colour alongside a profound understanding of art history and a wide range of visual, musical and literary sources to engage with the major existential, aesthetic and formal questions of painting. His works are notable for their layered, complex, scintillating surfaces, which he describes as ‘non-ironic, primary’ responses to the act of painting.
Image Credits
Exhibition Thumbnail Image (in the same sequence as the images shown)Installation view of SALON PLUS at Salon Hannam 2024, 4–14 September, 2024artwork © Oscar Tuazon, Seth Price
Photo: Creative Silver,
Installation view of SALON PLUS at Salon Hannam 2024, 4–14 September, 2024
artwork © Seth Price
Photo: Creative Silver,
Installation view of SALON PLUS at Salon Hannam 2024, 4–14 September, 2024
artwork © Oscar Tuazon
Photo: Creative Silver,
Installation view of SALON PLUS at Salon Hannam 2024, 4–14 September, 2024
artwork © Christopher Le Brun
Photo: Creative SilverArtist Image Credit (from top to bottom)Fabrice © Aurélien Mole, Oscar Tuazon © Max Farago, Seth Price. Courtesy of the artist and Petzel, New York. Photo: Geordie Wood